Who doesn’t like a song with a nice groove? Nobody. That’s the answer to that rhetorical question.
Immediately the track starts off with this amazing guitar. The kind of guitar that if you were to listen to it on the street, you’d immediately start walking with a swagger. That’s how cool it is. Yet I said this track had a groove, and I’ll be getting to that, but you gotta recognize style when you see it. After all if you wear the flashiest suit on earth, but don’t have the confidence to back it up, then you turn cool to cringe. And nobody likes to cringe.
Nobody can deny the coolness of a track that’s got some groove. Yet it’s how you present it that matters. From the funky bass lines, the heavy synths, the amazing vocals, the gunshot samples–everything just works. Even the guitar at the end with that pitch perfect funky tone. And if you follow this blog you know how much I love a good guitar tone. All of these elements combine with a drum beat in this kaleidoscopic manner–where everything shifts and morphs–while retaining the core funkiness that’s needed for a track to have a nice groove.
Now everybody needs to be cool every once in awhile. Listening to this track is the equivalent of being the bigshot in town, walking down the street, feeling like a million bucks, looking like a million bucks, and who doesn’t like that?
Yet it’s not just about being cool. After all we’re in the underground here, and perhaps it’s hipsterdom, perhaps we’re a bit too clever. But being cool doesn’t really cut it anymore. As I mentioned before the track has this kaleidoscopic type of sound, the sound you won’t often find in the mainstream. While most songs bludgeon you to death with the same notes over and over and over again. This track, has so much variety, in such a short amount of time. It doesn’t become experimental, yet at the same time, you can see James 3K being fairly adept at experimentation.
So it’s not just cool. After all your older brother going to college and coming back home, seems like the coolest thing ever. Then when you find out that everything he says and does is cliched, he’s not as cool as you thought he was. This track has enough individualism, and artistry that it’s impossible for it to be cliched. So as a result the coolness never feels forced, it just permeates throughout the track. Which really is the basis for being cool–just being yourself.