YUNG CHUCK: His whole entire soundcloud page

You know when you’re browsing youtube late at night. You’re watching some minecraft videos, and before you know it you’re watching some freaky shit. Whether it’s pimple popping videos, people acting crazy on police cams, weird schizophrenic streamers, we all have gone down that rabbit hole.

I’ve only touched on youtube, but I believe I’ve found the weird part of soundcloud, and God damn is it amazing. YUNG CHUCK is an enigma wrapped in a mystery. At one point he will floor you with his creativity only to say, “Fuck it, I’m going to throw in random anime samples because why not?” It’s that kind of mystery in an artist that has everybody intrigued, where the thin line of genius and insanity is so razor sharp thin.

Now obviously since I’m not doing a review on an album but instead an entire soundcloud page this is going to be different than most reviews. I’ll mainly just be using songs to illustrate my point.

So let’s begin with weeoweeoweeo first off the name should kind of give you a hint as to what artist he is. Nobody who is trying to “make it” in the conventional sense would ever name their song weeoweeoweeo, unless there is some untapped market of people looking up nonsense song titles. Secondly one of the really interesting parts of YUNG CHUCK is that he will establish such great ideas, only to abandon it, destroy it, or let it devolve into gibberish.

Which is so refreshing to hear. As I’ve said before, yeah sincerity is a great thing to have in music. But if we look to the Kurt Cobain’s, Tupac’s, Jimi Hendrix’s, Jim Morrison’s we’re only going to kill ourselves or get killed. When an artist takes something so personal, and individualistic as music and completely makes a joke out of it, you’re either going to be pissed or laughing your ass off by the sheer audacity of it.

So to begin with this track begins with weeoweeoweeo and then there’s this vicious synth, and these edgy lyrics which you will hear so often on cloudrap. Then he raps about his nipples. It’s at this point where if you don’t get what he’s doing then please invest in my magical healing crystals on Ebay I really really need the cash.

Now the beginning of that song is so well executed (besides the weeoweeoweeo). It sounds so much like that edgelord cloudrap that you hear all the time. That YUNG CHUCK really shows his hand that he is more talented than you would be led to believe. In fact I would place money that he could easily make that kind of edgelord trap music, but the fact he abandons it so easily kind of shows the fragility of that particular music genre.

Nearly every aspect of this song, and nearly every aspect of every other song he does is almost a commentary of the state of underground music. Where anime samples are overused to death, males bragging about some false sense of machismo, edgelords being edgelords, etc. Because as soundcloud artists would like you to believe they’re popping Xanax, shooting cops, and catching up on the latest episode of My Hero Academia. It’s all nonsense, nothing on the internet is real, and yet people will still slop this shit up. Which is why in those song in particular I love the Jimmy Neutron Carl sample, almost so anti everything that soundcloud rap is, that is in and of itself is hilarious.

Now if you don’t believe me that YUNG CHUCK isn’t a talented producer then listen to Harvey Bean (beat)  which sounds so amazing. It’s the kind of song you want experimental hip hop to sound like. The song borders on being a cacophony of noise yet at the same time being so incredibly harmonious. It’s this kind of song where you see what YUNG CHUCK would be if he wasn’t poking fun at soundcloud, or just having fun on soundcloud (I have no idea what his motivations are.) Whether it’s crafted on a DAW or he uses samples, the point remains that it sounds amazing.

The same principle can apply to Achieve Nirvana which has this amazing rock track. Whether it’s sampled, or handmade is irrelevant. Since the does such a great job of switching between genres, beats, vibes, etc. And it all sounds amazing.

Which brings me to my next point. Remember when I wrote that article about Cringe? In that article I wrote that artists will purposefully sound mediocre, and goosestep in line because they’re so afraid that people will ridicule their music. Which is something so incredibly annoying, and draining to music as a whole. Yet YUNG CHUCK is probably the most fearless person I’ve ever seen online in my entire life.

I can’t tell you how many artists I’ve seen take professional headshots, go to photoshoots, pay people money to get “Professional” music videos, and all of it to look “legitimate.” Then there’s YUNG CHUCK in a school girl outfit. Which I love so much. There’s nothing more satisfying than seeing someone dump a bucket of ice cold water on a party. Especially when everybody takes themselves so seriously.

Yet what’s truly ironic is that YUNG CHUCK is succeeding more than these wannabe “Professionals.” Why? Well, if you’re in a creative field and you want to be successful, then why don’t you–I dunno–BE CREATIVE!

So with everything his image, to the music he makes, the bizarre lyrics, to the absurd samples. Everything is just a breath of wild and crazy air. That you cannot help but enjoy. And if you don’t enjoy it, then you don’t get it, and you’ll need to reread this whole entire article all over again.

With his unique approach to music, his image, and everything else. I can’t help but give this guy my recc. Check him out, and hopefully you’ll get as much joy out of him as I did.

Hard Men Working Hard: HMWH 2018 GOTY Edition


Australians. There are two things I have to get off my chest before I properly review this album, and that is what I know about Australians. On the internet they are notorious for being shitposters–not just notorious shitposters–but world renown shitposters. Like how Italy is world renown for its art and history, or how England is world renown for its bad food, or America is world renown for being American.

The other is a personal side note. Anybody in the Navy who was ever in the Pacific Fleet LOVES Australia and Australians. In fact it was a monumental tragedy when the Carl Vinson (CVN 70), instead of going to Australia, had to go deal with the whole North Korean situation. When asking any American sailor, why they love Australia so much–besides the koalas, kangaroos, and all that shit–it was the Australian sense of humor that made them love going there for a port visit.

So it’s no surprise that when listening to this album you get pure comedic gold. The track I thought was the funniest HMWH Christmas Parody Song #0001. It was so funny and hit so close to home that I burst out laughing, and that never happens when I’m listening to music. The girl droning on about meaningless girl talk, followed by screams was just pitch perfect. Comedy that is honest is always the best kind of comedy. The song is so relatable to any guy in any relationship. Because even if you do find that big titty goth girl, you’re eventually going to do girl shit, the goth girl thing is just a bait and switch. You think you’ll be listening to avant-garde albums and doing artsy shit together, but at the end of the day you’re always going to end up at Target or a Farmer’s Market watching her shop.

Although this is a comedic album, there is excellent musicianship. I mean, anybody who can sing, and record a really great Thriller parody is already heads and shoulders above everyone else. If you don’t believe me then just listen to Drill-Her. It sounds phenomenal, and it even improves, at points, the original. The whole album is filled with beautiful piano pieces, like in Party For Me, the piano just sounds so lush and played so well that you wouldn’t have ever have guessed that you were listening to a comedy album. Then in Party For Me (Homo Mix) you hear such amazing lyricism that’s catchy, romantic, and sung so well. Then there’s the lyricism for Mundane Rap that is so vicious and funny, that it even makes Mr. Metokur seem tame. It’s not just the actual lyrics that are done well, but the flow as well. Makin’ Hay is literally spitting fire, and is so cheerful and fun that it’s just pure pop goodness.

So obviously these are really intelligent, competent, and talented people. Comedians tend to be at the far right end of the bell curve. For example Steve Martin was a professor, Bill Cosby had the highest IQ tested at his university, and all the members of Monty Python were in Elite English universities. Yet it’s common knowledge about the sad clown, that comedians even though they make people laugh are really troubled souls, which I’m not going to say Hard Men Working Hard are. The sad clown is sad because he’s never taken seriously. So what I’m saying is, is this album should be taken seriously as a great piece of music. That even though this is album is filled with comedy that it needs to be judged on how well it sounds, just as much as how much it makes you laugh.

For some reason with music people tend to gravitate towards songs that are either really melancholy, empowering, sweet, or romantic. But you don’t hear people listening to comedy music which is bizarre. Look at any type of artistic medium and you’ll see people watching, reading, or talking about things that make them laugh. If there’s no comedy in a book, or a movie it’s always looked down upon. Whereas if there is comedy in music it’s always kind of dismissed. Which I kind of find to be really stupid. If somebody manages to be funny, they’re generally going to be smarter–as mentioned above–and thus probably more talented in any given field regardless of what it is. So it shouldn’t be a surprise that a comedy album sounds as well as it does.

HMWH 2018 GOTY Edition is so well made, and sounds so good; that I would encourage anybody who doesn’t listen to comedy albums to listen to this. There is so much technical ability on display on each track that I can’t really comment on what particular parts sound good on this album as much as I do on others because everything sounds great. The way that they use samples, the glitchiness, the synths, the beats, the groove, the production, the singing, the rapping, the lyrics etc. Midway through the album I had to quit writing notes on what sounded good, because everything sounded fantastic.

You come to this album for the laughs, and then you stay for the music. Which is really the greatest thing that can be said about a comedy album. This isn’t Weird Al Yankovic. This is humor with an edge, and the music to back it up.

For making me laugh, and making me listen to great music. I give this album my recc.