YUNG CHUCK: His whole entire soundcloud page

You know when you’re browsing youtube late at night. You’re watching some minecraft videos, and before you know it you’re watching some freaky shit. Whether it’s pimple popping videos, people acting crazy on police cams, weird schizophrenic streamers, we all have gone down that rabbit hole.

I’ve only touched on youtube, but I believe I’ve found the weird part of soundcloud, and God damn is it amazing. YUNG CHUCK is an enigma wrapped in a mystery. At one point he will floor you with his creativity only to say, “Fuck it, I’m going to throw in random anime samples because why not?” It’s that kind of mystery in an artist that has everybody intrigued, where the thin line of genius and insanity is so razor sharp thin.

Now obviously since I’m not doing a review on an album but instead an entire soundcloud page this is going to be different than most reviews. I’ll mainly just be using songs to illustrate my point.

So let’s begin with weeoweeoweeo first off the name should kind of give you a hint as to what artist he is. Nobody who is trying to “make it” in the conventional sense would ever name their song weeoweeoweeo, unless there is some untapped market of people looking up nonsense song titles. Secondly one of the really interesting parts of YUNG CHUCK is that he will establish such great ideas, only to abandon it, destroy it, or let it devolve into gibberish.

Which is so refreshing to hear. As I’ve said before, yeah sincerity is a great thing to have in music. But if we look to the Kurt Cobain’s, Tupac’s, Jimi Hendrix’s, Jim Morrison’s we’re only going to kill ourselves or get killed. When an artist takes something so personal, and individualistic as music and completely makes a joke out of it, you’re either going to be pissed or laughing your ass off by the sheer audacity of it.

So to begin with this track begins with weeoweeoweeo and then there’s this vicious synth, and these edgy lyrics which you will hear so often on cloudrap. Then he raps about his nipples. It’s at this point where if you don’t get what he’s doing then please invest in my magical healing crystals on Ebay I really really need the cash.

Now the beginning of that song is so well executed (besides the weeoweeoweeo). It sounds so much like that edgelord cloudrap that you hear all the time. That YUNG CHUCK really shows his hand that he is more talented than you would be led to believe. In fact I would place money that he could easily make that kind of edgelord trap music, but the fact he abandons it so easily kind of shows the fragility of that particular music genre.

Nearly every aspect of this song, and nearly every aspect of every other song he does is almost a commentary of the state of underground music. Where anime samples are overused to death, males bragging about some false sense of machismo, edgelords being edgelords, etc. Because as soundcloud artists would like you to believe they’re popping Xanax, shooting cops, and catching up on the latest episode of My Hero Academia. It’s all nonsense, nothing on the internet is real, and yet people will still slop this shit up. Which is why in those song in particular I love the Jimmy Neutron Carl sample, almost so anti everything that soundcloud rap is, that is in and of itself is hilarious.

Now if you don’t believe me that YUNG CHUCK isn’t a talented producer then listen to Harvey Bean (beat)  which sounds so amazing. It’s the kind of song you want experimental hip hop to sound like. The song borders on being a cacophony of noise yet at the same time being so incredibly harmonious. It’s this kind of song where you see what YUNG CHUCK would be if he wasn’t poking fun at soundcloud, or just having fun on soundcloud (I have no idea what his motivations are.) Whether it’s crafted on a DAW or he uses samples, the point remains that it sounds amazing.

The same principle can apply to Achieve Nirvana which has this amazing rock track. Whether it’s sampled, or handmade is irrelevant. Since the does such a great job of switching between genres, beats, vibes, etc. And it all sounds amazing.

Which brings me to my next point. Remember when I wrote that article about Cringe? In that article I wrote that artists will purposefully sound mediocre, and goosestep in line because they’re so afraid that people will ridicule their music. Which is something so incredibly annoying, and draining to music as a whole. Yet YUNG CHUCK is probably the most fearless person I’ve ever seen online in my entire life.

I can’t tell you how many artists I’ve seen take professional headshots, go to photoshoots, pay people money to get “Professional” music videos, and all of it to look “legitimate.” Then there’s YUNG CHUCK in a school girl outfit. Which I love so much. There’s nothing more satisfying than seeing someone dump a bucket of ice cold water on a party. Especially when everybody takes themselves so seriously.

Yet what’s truly ironic is that YUNG CHUCK is succeeding more than these wannabe “Professionals.” Why? Well, if you’re in a creative field and you want to be successful, then why don’t you–I dunno–BE CREATIVE!

So with everything his image, to the music he makes, the bizarre lyrics, to the absurd samples. Everything is just a breath of wild and crazy air. That you cannot help but enjoy. And if you don’t enjoy it, then you don’t get it, and you’ll need to reread this whole entire article all over again.

With his unique approach to music, his image, and everything else. I can’t help but give this guy my recc. Check him out, and hopefully you’ll get as much joy out of him as I did.

Ryan Deranged: Deranged EP

There’s been this kind of desire in music for awhile now. It’s like when Kurt Cobain said, that he wanted his band to be vicious like Black Flag, heavy like Black Sabbath, while poppy and melodic like the Beatles. While other bands had done it–specifically Husker Du and the Pixies–it was that unconscious idea that was brought up to the mainstream that made them the overnight success that they were.

Now hip hop kind of has that same kind of unconscious desire: to sound heavy like metal, to have the viciousness of punk, the nostalgia of vaporwave, and the instrumentation of electronic music. That’s kind of why, regardless of what Kanye does, music lovers can never really fault him. I mean how often does a hip hop track sound Psychedelic?

So what do unconscious desires have to do with Ryan Deranged’s album, Deranged EP? Simple it fulfills the desires you never knew you had.

So let’s dive into the first track of Deranged EP, Hamartia. In Soundcloud rap, the Navi sample, “Hey” in Ocarina of Time is kind of a staple. I mean I even have the Skull Kid’s laugh in one of my songs. If there’s ever a debate on whether someone is an industry plant or not; if one of their early songs doesn’t feature an N64 Zelda reference, then they’re probably a plant. Yet also the reason I point out this sample, is because it gives the track a really needed levity. What I mean by that is that there are hip hop groups that are experimenting with heavier, darker sounds; bands like Death Grips, $uicideBoy$, or GHOSTMANE. Yet I wouldn’t say those groups are “fun” in the way that Ryan Deranged is fun.

The best analogy I can come up with is picture punk rock, all the earnest bands singing about Anarchy, getting fucked up, social upheaval, and political views delivered with a sneer and sarcastic lyrical delivery. Then imagine the Misfits, who wore makeup to look like Ghouls in their devil locked hair, singing about B-movie horror movies, and Jaqueline Kennedy giving blow jobs. While the punk groups seem like outsiders with outsider opinions, who are abrasive, edgy, and do controversial shit to do controversial shit. The Misfits seem more like the class clown, and let’s be honest a class clown is always more preferable than an edgelord.

So Ryan Deranged has an incredibly “fun” kind of approach to what other bands have doing. As mentioned before the Navi sample, combined with the dirty synths that aren’t abrasive, the sword slice samples, and the distorted laugh sample. All of these individual elements builds up a track that is just sounds fun.

Now that I’ve kind of set the stage, let’s dive into the rest of the album. Chaos, has some amazing bars. The flow is absolutely on point–in fact let’s say that the sound isn’t your cup of tea. Anybody can admire a virtuoso even if they have no idea what is going on. I know nothing about soccer. I just know that you gotta get the ball in the goal. Yet if you were to show me a compilation of the greatest soccer plays ever made, I would be impressed. The same I would say for Ryan Deranged, even though he goes out on a limb with a unique sound, he at least has some virtuosity that even a casual listener of hip hop can respect. So with the imagery, as I described in his track on Hamartia, this track really embraces the fun of this kind of hip hop. With violins that sound like something that would be played on an early N64 horror game, distorted heavy synths, HEAVY 808’s, and glitchiness of some aspects of the track; it’s so over the top that it becomes enjoyable.

The next track If you don’t know now you know, sounds more like a cheesy video game boss kind of music, and I mean that in the best way. With the looped distorted laughter, brevity of the track, and that same signature distortion. It’s over before you know it, and the same applies for Opus Dei. Which again calls back to punk, where the Ramones would play 20 songs in 30 minutes or 30 songs in 20 minutes. With this whole album being under 10 minutes it’s really a breeze to listen through. Not just because of it’s length, but also due to the fact that the sound always manages to surprise you, while still sticking within Ryan Deranged’s sound. It’s such a unique sound that every synth, every 808, and every sample seems novel. In having this fully fleshed out style, played out in such a short amount of time, that it’s incredibly rewarding to listen to. After all Shakespeare said, “Brevity is the soul of wit.” The songs by being shorter, keep all the bullshit out, and just focus on what matters–the music.

So with the last track, Babylon–which opens up with same amazing samples that call back some Sci-Fi Horror movie–it’s the best summary of what this whole album is. While most of soundcloud rap that’s experimental try to be abrasive, shocking, emo, and political; Ryan Deranged goes a different approach, and one that should be further explored in this genre of hip hop. Because if you try to be abrasive, shocking, emo, political, etc. all it needs is somebody to take the piss out of you, for everybody to see your music as schlocky. So when this album, that sounds like a video game Boss’ EP, embraces this campy sound–it adds something that is needed for this type of experimental Hip Hop to survive. Fun.

So I can’t give this album enough reccs. You gotta check it out for yourself. It’s the kind of album that everybody didn’t know they needed to hear, until they’ve heard it. With that I give this album my full recc.