DuffDoes: YESTERDAYWASABLUR

Music is like a drug. For any music lover there seems to be that “one song.” That song that drew a line in the sand, from casual listening, to full on consumption. And while Harmony is the gateway drug, dissonance becomes the hardcore narcotic, that only the most desperate addict seeks out.

While yes, dissonant music is heard everywhere. Hell even Jimi Hendrix’s Purple Haze has some dissonance to it. Yet there is this thin line between chaos and art. What is pure garbage nonsense to one person, is a prized piece of art to another. Yet for me as a fan of music, and as a critic is not that the sound is dissonant. But rather, what does this dissonance achieve? What is the desired effect? And does the artist achieve this effect?

So it’s my pleasure to introduce DuffDoes, a man who knows how to use dissonance to convey an emotional response in the listener. I mean with a song titled YESTERDAYWASABLUR, we have to ask ourselves: how does DuffDoes achieve the feeling of a hangover? So with that all out of the way let’s nosedive straight into this hangover.

Right off the bat, we hear samples of water pouring. Or as the title suggests alcohol, lean, or whatever else kids are into these days. This sample loops over and over again in the intro. Kind of like when you wake up with a side splitting headache and while “YESTERDAYWASABLUR” the only consistent and immediate thing you know is that you were in fact drinking. That coupled with the reverberated synth, and razor sharp hi hat–does an excellent job in conveying that physical sensation of waking up with a hangover.

Then there’s the actual beat, the 808 kick, bells, clap, and hi hat do an excellent job in tying the whole song together. I mean after all while you maybe going through a hangover at the moment you did have fun while you were fucked up. It’s why every early 20’s something has the great idea that if they drink all the time, then they’ll never have hangovers.

Yet the melody of the song tells us a different story. While the beat ties everything together, the melody does all it can to mutate, transform, and change into this dissonant sound. As though while, yes, the night before was great. This hangover is a little bit different, and one hangover too many. After all burning your hand on a stove the first time is a funny story. Burning your hand on a stove for your whole entire 20’s, and then it’s just sad. Which is why the mutated melody provides this additional, almost tragic subtext to it.

This is a great song for any artist to listen to, just to understand how to use dissonance in an effective way. There are far too many times where it seems like music lovers go for the most obtuse, abrasive, ear piercing, atonal, music humanly possible. Not because it conveys an emotion, theme, or even music but because it’s so “different.” Not only does this track do a great job of conveying the emotion of YESTERDAYWASABLUR but it’s so well produced as well. Everything is crisp, fresh, and sounds absolutely fantastic. Which gives the experimentation of the track a little extra validity. After all, when a professional experiments it’s avant-garde. When an amateur experiments it’s shit. And DuffDoes is no amateur.

So give this track a listen. If you ever want to make that dissonant avant-garde sounding track that you’ve always wanted to make. There’s no better artist to look to then DuffDoes.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.