Australians. There are two things I have to get off my chest before I properly review this album, and that is what I know about Australians. On the internet they are notorious for being shitposters–not just notorious shitposters–but world renown shitposters. Like how Italy is world renown for its art and history, or how England is world renown for its bad food, or America is world renown for being American.
The other is a personal side note. Anybody in the Navy who was ever in the Pacific Fleet LOVES Australia and Australians. In fact it was a monumental tragedy when the Carl Vinson (CVN 70), instead of going to Australia, had to go deal with the whole North Korean situation. When asking any American sailor, why they love Australia so much–besides the koalas, kangaroos, and all that shit–it was the Australian sense of humor that made them love going there for a port visit.
So it’s no surprise that when listening to this album you get pure comedic gold. The track I thought was the funniest HMWH Christmas Parody Song #0001. It was so funny and hit so close to home that I burst out laughing, and that never happens when I’m listening to music. The girl droning on about meaningless girl talk, followed by screams was just pitch perfect. Comedy that is honest is always the best kind of comedy. The song is so relatable to any guy in any relationship. Because even if you do find that big titty goth girl, you’re eventually going to do girl shit, the goth girl thing is just a bait and switch. You think you’ll be listening to avant-garde albums and doing artsy shit together, but at the end of the day you’re always going to end up at Target or a Farmer’s Market watching her shop.
Although this is a comedic album, there is excellent musicianship. I mean, anybody who can sing, and record a really great Thriller parody is already heads and shoulders above everyone else. If you don’t believe me then just listen to Drill-Her. It sounds phenomenal, and it even improves, at points, the original. The whole album is filled with beautiful piano pieces, like in Party For Me, the piano just sounds so lush and played so well that you wouldn’t have ever have guessed that you were listening to a comedy album. Then in Party For Me (Homo Mix) you hear such amazing lyricism that’s catchy, romantic, and sung so well. Then there’s the lyricism for Mundane Rap that is so vicious and funny, that it even makes Mr. Metokur seem tame. It’s not just the actual lyrics that are done well, but the flow as well. Makin’ Hay is literally spitting fire, and is so cheerful and fun that it’s just pure pop goodness.
So obviously these are really intelligent, competent, and talented people. Comedians tend to be at the far right end of the bell curve. For example Steve Martin was a professor, Bill Cosby had the highest IQ tested at his university, and all the members of Monty Python were in Elite English universities. Yet it’s common knowledge about the sad clown, that comedians even though they make people laugh are really troubled souls, which I’m not going to say Hard Men Working Hard are. The sad clown is sad because he’s never taken seriously. So what I’m saying is, is this album should be taken seriously as a great piece of music. That even though this is album is filled with comedy that it needs to be judged on how well it sounds, just as much as how much it makes you laugh.
For some reason with music people tend to gravitate towards songs that are either really melancholy, empowering, sweet, or romantic. But you don’t hear people listening to comedy music which is bizarre. Look at any type of artistic medium and you’ll see people watching, reading, or talking about things that make them laugh. If there’s no comedy in a book, or a movie it’s always looked down upon. Whereas if there is comedy in music it’s always kind of dismissed. Which I kind of find to be really stupid. If somebody manages to be funny, they’re generally going to be smarter–as mentioned above–and thus probably more talented in any given field regardless of what it is. So it shouldn’t be a surprise that a comedy album sounds as well as it does.
HMWH 2018 GOTY Edition is so well made, and sounds so good; that I would encourage anybody who doesn’t listen to comedy albums to listen to this. There is so much technical ability on display on each track that I can’t really comment on what particular parts sound good on this album as much as I do on others because everything sounds great. The way that they use samples, the glitchiness, the synths, the beats, the groove, the production, the singing, the rapping, the lyrics etc. Midway through the album I had to quit writing notes on what sounded good, because everything sounded fantastic.
You come to this album for the laughs, and then you stay for the music. Which is really the greatest thing that can be said about a comedy album. This isn’t Weird Al Yankovic. This is humor with an edge, and the music to back it up.
For making me laugh, and making me listen to great music. I give this album my recc.